Friday, March 20, 2026

ALL ROADS LEAD TO GREAT NECK: "Bruce & Sue Go To Kuck's"


[To read this excerpt in a presentation mirroring the actual book's formatting, click HERE.]

(an excerpt)


Meet Bruce Disoto, 15-year-old rock ‘n’ roll obsessive, Great Neck resident, psychedelic psychonaut, and our protagonist.

LIKES:

Late nights at the Fillmore East, getting high before class in the Social Studies bathroom, spending time with his girlfriend, Sue Kates

DISLIKES:

Narcs, authority, getting hassled by school principal Dr. Bixler.

Now, set the controls for 1970 and read on…


Chapter 29 

"Bruce & Sue Go To Kuck's"


Sue missed Bruce the week he was in Miami. Sue was no longer a stranger to Bruce’s hash pipe. And she never smoked alone. Boy and girl sucked heartily together, burning down little coals of Red Lebanese, Green Moroccan and Black Afghani. They smoked openly along the sidewalks of town on Middle Neck Road, where all the teenagers of Great Neck engaged in social intercourse. Wall’s was Great Neck’s primary record store. Disoto once bought hit singles right off the charts to play on his mono record player. But now he only bought albums, having graduated to a stereo with two speakers. What began as underground music had now risen in the record industry to an artistic pinnacle. Musical freedom flourished in 1970, even Motown artists like Marvin Gaye and Stevie Wonder broke free and evolved into album rock. Some kind of genius turned loose in the universe that rock groups tapped into. As such, Disoto picked out a $3 album each week. He found enlightenment. He watched his stack of albums grow thicker, in competition with the stacks of friends. As a matter of prestige, boys compared their record collections. They studied liner notes and album credits, fascinated by who played every note on each cut. There was a ritual smell of the vinyl, the sound of the plastic wrapping uncrinkling through the night from the garbage pail. An album required multiple listens to reveal itself, and then you were under its spell. It peaked after 10 or 20 plays; as you came down from one album, you fell in love with another.

Bruce chose some serendipitously, from the lure of the cover. The first King Crimson album, for instance, with the flaring nostrilled ghoul. Robert Fripp’s Mellotron aroused unbroached aural passageways of the brain. Blodwyn Pig split off from Jethro Tull; there was Atomic Rooster, Tin House, Buzzy Linhart’s Music, a psychedelic masterpiece; Santana’s Abraxas, Traffic’s John Barleycorn, Chicago II, Johnny Winter And, the studio album with Rick Derringer; Edgar Winter’s Entrance, the Allmans’ Idlewild South, James Gang Rides Again, Mountain’s Climbing!, Jethro Tull’s Benefit, Hendrix and Buddy Miles’ Band of Gypsys, Harrison’s All Things Must Pass, Clapton’s Layla, The Who’s Live at Leeds, Woodstock, CSN&Y Déjà Vu, Let It Bleed, Bridge Over Troubled Water, Black Sabbath’s Paranoid, Cosmo’s Factory, Bitches Brew, Free’s Fire and Water, The Kinks Lola, Lennon’s Plastic Ono Band, Spirit’s 12 Dreams of Dr. Sardonicus, and Morrison Hotel.

           

A few doors over from Wall’s was an even stranger world of cheese. Kuck’s Gourmet Cheesatorium at 34 Middle Neck Road had just as many cheeses as Wall’s had albums. If there was a cheese for every wine, Bruce decided there might be a cheese that complimented hash. A specific bacterium that went with green Moroccan, one for black Afghani and one for red Lebanese.

The two teenagers entered Kuck’s Cheesatorium smashed, in search of cheese. Great Neck’s most mysterious proprietor resembled Charles Laughton as the Hunchback of Notre Dame. He was nasty to everyone except the old cheesers who were his primary customers. There was much speculation about Kuck’s past. He was a portly German who emigrated to Great Neck right after the war. Before Great Neck had become a predominantly Jewish enclave. At the start of WWII, a German bakery in Great Neck named Uhlman’s put a sign in their window: “We are not Nazis, we are Americans.” Several Japanese citizens of Great Neck Plaza lost their businesses and were sent to internment camps. As such, a cloud of suspicion hung over old man Kuck. Swastikas were graffitied onto his front window with regularity by schoolchildren, an albatross the poor merchant had to bear. He was constantly erasing Kuck the Schmuck or Kuck the Fuck from his window. He locked bicycle chains across the glass front doors every night.

Kuck was first and foremost a man of cheese. A professional Käseschmecker or Goûteur de fromage. The store’s design could only come from the sensibility of an obsessive European. “Cheeses of the World” filled every nook and cranny, exotic cheeses for sophisticated palates. Many were not available anywhere else, not even in New York City. The Swiss cheeses and more common varieties came from SS Pierce of Boston, with whom Kuck’s had an association. He imported the most obscure aged fromage from French villages and German hamlets, cheeses named after their towns. Even a few from Africa. Kuck had his own personal sources, but it was hard to imagine much profit incentive in stocking these rarities shipped in small units. Perhaps he earned his profit sending “telefood” gift baskets around the world. These included cheese “condolence parcels,” ordered for funerals of lifelong customers.

Kuck’s also sold items of convenience. He once offered baked goods, and an old commercial bread oven lay in ruin at the back of the store. First thing in the morning, his employees would take the lettuce shipments to the back room sink to rinse and remove any brown leaves. Then stock each vegetable with the nicest side facing the customer. Kuck did daily inspections. “Sunny side up,” he demanded. He went ballistic when customers squeezed the produce—“Don’t touch ze fruit!”—getting all red in the face and spouting obscenities in some German dialect.

When customers walked in they were assaulted by an aroma so pungent that most did a pirouette right out the door before keeling over. The Limburger stench was astringent as ammonia. Kuck was oblivious to it. Only the most arcane connoisseurs could handle the smell—a small clientele of old cheesers, wealthy connoisseurs who were the backbone of his business.

On the last Friday of each month, his best customers would gather for private samplings after the store had closed. Retired doctors who’d had practices in Great Neck since the 1920s, an ancient heiress or two, holdovers from the Gilded Age of Long Island’s Gold Coast. On this occasion, the old cheesers went into cheese heaven, where samples were gorged upon like drugs. A fine Stilton served with a 30-year-old bottle of Port, cheddars that tasted like rancid soap to all but the most sophisticated Old World palate. Kuck demonstrated his expertise, naming each exotic schmear by its odor and taste.

“Unt now, mine friends, I giff you un zample of Stilton chez vat nobody eff ever tried.” Rude though he was with the general public, he reserved his fine manners for the cheese aficionados. A customer or two was known to have vomited, but it only improved the store’s smell. Dulled by age, their dormant taste buds and olfactory senses could only be revived by the most rancid of Limburger. Which furthermore stimulated the gastrointestinal tract, inspiring the most ambitious bowel movements they’d experienced in years. 

Kuck was known to despise children. He followed them down the aisles and chased them out. Kuck the Schmuck, Kuck the Fuck, or Kuck, that Nazi. Kids were the bane of his existence, not his target audience. So, as “Deutschland über Alles” played over a PA when Bruce and Sue entered, Kuck went on alert. He braced himself to overhear, for the thousandth time, that he was a Nazi.

Well, had he been one? Nobody knew. Certainly nobody ever asked him point blank, no one ever investigated. Perhaps Kuck would have been low enough on the totem pole of Nazi war criminals to never turn up on Simon Wiesenthal’s radar, nor the Israeli government, like Adolf Eichmann. He evaded capture at the Nuremberg Trials hiding behind cheese. He wasn’t living in Argentina. He was living right in the middle of the most Jewish suburb in the United States, surrounded by Great Neck psychiatrists. Could these psychiatrists’ wives been buying their cheese from the Butcher of Buchenwald?

“Do you sell Velveeta?” asked Disoto. Kuck sensed he was being mocked.

“You vill go to the supermarket for that,” said Kuck.

“How about blood sausage and head cheese?” Disoto continued.

Schwartamaga?!” yelled Kuck.

“Umwelt?” came Disoto.

And at this, Kuck exploded. The man of cheese dragged Disoto to the back of the store. Though his body reeked of cheese, he was big, burly and strong, and was able to hoist Disoto off his feet. He opened the hatch to the old broken oven.

“This is where you belong!”

Disoto was taken aback by the man’s strength as he hoisted and stuffed him headfirst into the oven.

This was where Disoto remained for 45 minutes, as Sue summoned Mrs. Disoto to come and get him. Disoto lay sobbing in a fetal position when Kuck dragged him out to present to his mother. Not since he was made to stand in a garbage can by his 5th grade teacher, Mr. Hale, was he so humiliated. She found Mr. Kuck unpleasant, his red face in a huff.

Bruce would never enter Kuck’s again.

Years later, after Kuck died, some local historian postulated that he may have rescued three or four Jews during the war. Maybe not as many as Schindler, but nonetheless he risked his life to harbor several. Kuck moved to Great Neck himself because he was so fond of Jews in Germany, then came to despise them because they assumed he was a Nazi. The same Jews who swore never to buy a Volkswagen or Mercedes, like the Morgansterns and Einsidlers. Even Dr. Bixler—that paragon of reason and fair-mindedness—never set foot in his establishment. Had they heard he might have been a savior, the legend of Kuck’s Gourmet Cheesatorium would have played out differently.

 © 2026 Josh Alan Friedman, all rights reserved



All Roads Lead to Great Neck by Josh Alan Friedman is available in softcover and hardcover editions from Wyatt Doyle Books/New Texture. Cover art by Bruce Carleton. Get copies from Amazon HERE.

Sunday, March 15, 2026

FIVE STARS: First Reader Reviews for ALL ROADS LEAD TO GREAT NECK

All Roads Lead to Great Neck's first readers have spoken, and they are unanimous in their praise for Josh Alan Friedman's kaleidoscopic new novel. Don't take my word for it:


"I’ve long been a fan of Josh Alan Friedman’s writing. But, his new novel, All Roads Lead to Great Neck, hit me harder, deeper, and more directly than any book I’ve read in recent memory."

"I can’t seem to put it down. It’s almost like time traveling back to the 1970s. Beautifully written and extraordinarily captivating. This is one to savor."

"This isn’t just nostalgia; it’s a vivid, electric portal to an era, written with the kind of unflinching honesty, dark humor, and poetic intensity that only Josh can pull off."

"This book nails it in terms of bringing one back to back in the day... Really captured the moment. Friedman rules!!"



All Roads Lead to Great Neck by Josh Alan Friedman is available in softcover and hardcover editions from Wyatt Doyle Books/New Texture. Cover art by Bruce Carleton. Get copies from Amazon HERE.

Monday, March 9, 2026

Josh Alan Reads From ALL ROADS LEAD TO GREAT NECK (Chapter One)


Josh Alan Friedman reads "Psychedelic Great Neck, 1970," the first chapter of his new novel, All Roads Lead to Great Neck.



All Roads Lead to Great Neck by Josh Alan Friedman is available in softcover and hardcover editions from Wyatt Doyle Books/New Texture. Cover art by Bruce Carleton. Get copies from Amazon HERE.

Tuesday, February 3, 2026

Josh Alan Friedman's ALL ROADS LEAD TO GREAT NECK Out Now!

(cover illustration by Bruce Carleton)

Josh Alan Friedman, the inimitable voice behind Black Cracker, Tell the Truth Until They Bleed, and Tales of Times Square, now invites you to tune in, turn on, and drop in on his latest trip: A kaleidoscopic tour of Great Neck, Long Island, at the dawn of a new decade: the 1970s. 

This is All Roads Lead to Great Neck, where you’ll witness stoned student freakouts during high school productions of The Diary of Anne Frank, toke from sacred hash pipes, and annoy local cheese-shop proprietors. Navigate the generation gap and the confounding neuroses of high school faculty and administrators who secretly lust after aging beauty queens, marvel at miraculous sturgeon that scream Yiddish curses, and travel through space, time, and Olde New York in a fantastical tricked-out buggy piloted by the angel of sacred prostitution. 

Get high among teen Vietnam War protesters and hangers-on at Grace Avenue Park; wait on line at Irving’s Delicatessen with boxer Floyd Patterson, then join him on the therapist’s couch while the former world champ struggles with post-retirement feelings of inadequacy. Head into the city to catch Leslie West and Mountain at the Fillmore East, with kasha varnishkes and Cel-Rays at Ratner’s after, echoing forgotten spectacles and entertainments of times long past. 

All Roads Lead to Great Neck leads you on a hazy tour through the brief, intoxicated life of Bruce Disoto, doomed adolescent hippie trying to survive young adulthood, prone to visions of a 19th century Jewish pimp while tripping. 

A literary culmination of the author’s lifelong fascinations, All Roads Lead to Great Neck is an exploration of Jews and Jewish identity, racial and societal confusion, the mysteries of sex and the extremes some will go to for it, and forgotten characters and lost history of New York. 

All Roads Lead to Great Neck is primo Friedman—bizarre, nostalgic, unique, tragic…and very, very funny. 

Is everybody in? The ceremony is about to begin… 

Get All Roads Lead to Great Neck from Amazon in hardcover or softcover HERE.

Friday, January 2, 2026

Best of the Year: The Book Graveyard Digs WEASELS!

The Book Graveyard's Grounds Keeper Nick Anderson rates Weasels Ripped My Flesh! as one of the best reads of 2025! 


"This one is special. What you have here is a buffet...a sampling of all the types of stories [in the mags]... Some adventure, some horror, lots of action, war stories... Go check it out. If you're interested in the genre, it's a great place to start."

Nick's comments on all his picks are worth hearing, but the Weasels talk starts around 1:10. Please note: the goofy AI voice that is the video's default is NOT our noble Grounds Keeper. To hear the real Nick, be sure to click the video's SETTINGS wheel and change the AUDIO TRACK setting from ENGLISH (US) to SPANISH (US) (ORIGINAL). (It's not actually in Spanish.) Nick explains the situation in the video's comments section, but that's how to hear the video as intended.
 


Weasels Ripped My Flesh! is available in full-color softcover and deluxe hardcover editions. Buy from The Men's Adventure Library's co-editor Bob Deis HERE (free domestic shipping). Or buy from Amazon HERE.

Sunday, December 21, 2025

WEASELS Makes Vaughan's Top 10 of 2025

BookTuber Michael K. Vaughan has turned loose a list of his Top 10 Favorite Books of 2025. Did any New Texture titles make the cut?

Well, the adorable weasel accompanying him in his video's cover photo is most definitely a clue...


"This is my first time reading this stuff, and it's amazing. I highly recommend this one."

A newcomer to MAM fiction, Vaughan read WEASELS as part of GarbAugust, and spoke at greater length on the book in his post at the time. Click HERE to watch that one.

Many thanks to Michael for his kind words and vocal support, and Happy Holidays to all our readers!


Weasels Ripped My Flesh! is available in full-color softcover and deluxe hardcover editions. Buy from The Men's Adventure Library's co-editor Bob Deis HERE (free domestic shipping). Or buy from Amazon HERE.

Thursday, December 4, 2025

Reymond's NIMRODIA Cited in Boyd's BABEL

Samuel L. Boyd's Babel and Eric Reymond's Nimrodia

We are pleased to learn Eric Reymond's poetry collection Nimrodia [New Texture] is cited in Samuel L. Boyd's Babel: Political Rhetoric of a Confused Legacy [Fortress Press]. From the Fortress Press website:

In Babel: Political Rhetoric of a Confused Legacy, Samuel L. Boyd offers a new reading of the Tower of Babel in Genesis 11:1-9. Using recent insights on the rhetoric of Neo-Assyrian politics and its ideology of governance as well as advances in biblical studies, Boyd shows how the Tower of Babel was not originally about a tower, Babylon, or the advent of multilingualism, at least in the earliest phases of the history and literary context of the story.

...

Boyd explores this intellectual history of the passage into current events in the twenty-first century and offers perspectives on how a new reading of the Tower of Babel can speak to the current cultural and political moment and offer correctives on the uses and abuses of the Bible in the public sphere.

Nimrodia appears via an epigraph in Babel's third chapter, "Words Have Consequences":

"A tower can be made with only two bricks or two words."

Its footnote reads:

Eric Reymond, "Similitudes of Nimrod," in Nimrodia (New Texture, 2018). See further Reymond's ability to capture the constructive possibility of words and the building of the tower:

Congratulations to Professor Reymond, and kudos to Professor Boyd for his good taste and recognition of Reymond's achievement.

About Nimrodia:

Nimrodia, pronounced /nim-raw-di-a/ or /nim-row-di-a/, is the title of an imagined body of literature about the biblical king who is said to have constructed the Tower of Babel. The longest poem of the book imagines the king’s perspective on his famous tower, as well as that of his underlings, exploring the egotistical and altruistic inspirations for it. While visual art and ancient history are the starting point for most of the poems in this collection, the contemporary world intersects with these domains again and again. We are reminded that though language, culture, and time may divide us, these are also the forces that link us together.

Preview and buy Nimrodia from Amazon HERE.



Monday, October 20, 2025

Steve Carroll Writes Gets Weird With ATOMIC WEREWOLVES

"Quite simply, spectacular."

In a season of weird doings, Steve Carroll Writes braves an exploration of The Men's Adventure Library anthology, Atomic Werewolves and Man-Eating Plants:

The book itself is simply gorgeous... Lavishly illustrated with many covers reproduced in full color, this is essentially a coffee table book dedicated to “when men’s adventure magazines got weird,” as the cover’s subtitle aptly describes. All in all, this book is an effort of pure love for the genre.

Bob Deis and Wyatt Doyle have put together yet another archive of great worth, both for collectors and fans. I cannot recommend this collection highly enough and would go on record that it is essential to the preservation of the historic MAM as a uniquely American literary institution. 

Steve's review takes readers through the collection with story by story commentary. Read his thoughts in full at Steve Carroll Writes, HERE.


Edited by Robert Deis and Wyatt Doyle, Atomic Werewolves and Man-Eating Plants is part of the Men's Adventure Library series, and is available now in softcover and as an expanded hardcover with bonus material. Buy it HERE.